Select Bibliography

Bennett, Karen, and Rita Queiroz de Barros (eds). Hybrid Englishes and the Challenges of/for Translation: Identity, Mobility and Language Change (Routledge, 2019).

Byrnes, Robert. ‘When loanwords are loaned back: the conundrum of translating French into French’, Palimpsestes, n° 25 (2012), 249‑259.

Callahan, Laura. Spanish/English Codeswitching in a Written Corpus (John Benjamins, 2004).

Delabastita, Dirk & Ton Hoenselaars (eds). Multilingualism in the Drama of Shakespeare and his Contemporaries (John Benjamins, 2015).

Delabastita, Dirk & Rainier Grutman (eds). Fictionalising Translation and Multilingualism, numéro spécial, LANS-TTS (= Linguistica Antverpiensia, New Series – Themes in Translation Studies), n° 4 (2005).

Déprats, Jean-Michel. « ‘Parlez-vous franglais ?’ La galimafrée des langues dans Henry V  », Sillages critiques [En ligne], 31 | 2021. URL : http://journals.openedition.org/sillagescritiques/12552

DeWispelare, Daniel. Multilingual Subjects. On Standard English, Its Speakers, and Others in the Long Eighteenth Century (University of Pennsylvania Press, 2017).

Durkin, Philip. Borrowed Words. A History of Loanwords in English (Oxford University Press, 2014).

Eells, Emily, Christine Berthin & Jean-Michel Déprats (eds). L’étranger dans la langue (Presses de l’Université Paris Nanterre, 2013).

Gardner-Chloros, Penelope. Code-switching (Cambridge University Press, 2009).

Grutman, Rainier. Des langues qui résonnent. Hétérolinguisme et lettres québécoises (Classiques Garnier, 2019).

Heiss, Christine. ‘Dubbing Multilingual Films: A New Challenge?’, Meta, n° 49/1 (2004), 208-220.

Jones, Ellen. Literature in Motion. Translating Multilingualism Acroos the Americas (Columbia University Press, 2022).

Král, Françoise. ‘Polyglossing in English: The diasporic trajectories of the English language’, Journal of Postcolonial Writing, 55:6 (2019), 836-849, DOI: 10.1080/17449855.2019.1680163 

Lacroix, Mylène. « Les mots étrangers dans le théâtre de Shakespeare » (thèse de doctorat / doctoral dissertation, Université Paris Nanterre, 2016).

Laera, Margherita. Theatre and Translation (Red Globe Press, 2019).

Mingant, Nolwenn. ‘Tarantino’s Inglourious Basterds: a blueprint for dubbing translators?’, Meta, n° 55/4 (2010), 712‑731.

Misrahi-Barak, Judith, and Srilata Ravi (eds), Translating The Postcolonial In Multilingual Contexts (Presses Universitaires de la Méditerranée, 2017).

Myers-Scotton, Carol. Duelling Languages: Grammatical Structure in Codeswitching (Clarendon Press, 1993, 1997). 

O’Sullivan, Carol. ‘Multilingualism at the multiplex: a new audience for screen translation ?’, Linguistica Antverpiensia, New Series, n° 6 (2007), 81-97.

O’Sullivan, Carol. Translating Popular Film (Palgrave Macmillan, 2011). 

Plescia, Iolanda. ‘Multilingualism at the Tudor Court: Henry, Elizabeth and the Love Letter Genre’, in: Donatella Montini & Iolanda Plescia (eds), Elizabeth I in Writing. Queenship and Power (Palgrave Macmillan, 2018), p.171-194.

Saenger, Michael (ed.). Interlinguicity, Internationality, and Shakespeare (McGill-Queen’s University Press, 2014).

Scholar, Richard. Emigrés: French Words that Turned English (Princeton University Press, 2020). 

Suchet, Myriam. L’Imaginaire hétérolingue. Ce que nous apprennent les textes à la croisée des langues (Classiques Garnier, 2014).

Tyrkkö, Jukka, Arja Nurmi, and Jukka Tuominen, ‘Semi-automatic discovery of code-switching from English historical corpora: Methods and challenges’, in: Arja Nurmi, Tanja Rütten, Päivi Pahta (eds), Challenging the Myth of Monolingual Corpora (Brill, 2017), p. 172-199.

Zabalbeascoa, Patrick & Montse Corrius. ‘How Spanish in an American film is rendered in translation: dubbing Butch Cassidy and the Sundance Kid in Spain’, Perspectives, Studies in Translatology, n° 22/2 (2014), 255-270.